Showing posts with label short story. Show all posts
Showing posts with label short story. Show all posts

Friday, 27 July 2018

Fishy business


Photograph by Ben Russell  

So it’s 10pm when Marcus and I go into Ma Murphy’s Bar and Grocery Store in Bantry, as invited. Our eyes ache from tiredness (we got up at 4am this morning) and it’s noisy with Sunday-night locals, so we know it’s got the craic, despite its Facebook credentials. We congregate in the less-remarkable back room and shout, strain to hear each other, strain to remember whether we’ve read that person’s piece: ‘Oh, you’re THE Helen,’ and we reverentially pass round a single copy of the Fish Anthology 2018, surreptitiously checking for our own names. After half an hour I admit defeat and we slope away, only to find later that we weren’t the only ones to leave early.

On Monday at 6pm, cheered by a day spent exploring gorgeous Bantry Bay and the faded gentility of Bantry House, we congregate in The Windward Room of the hotel and receive copies of the Anthology. It is beautiful, and I flick back and forth through mine, reading the bios. What follows is excellent. All the attending writers in the Anthology – poetry, flash fiction, memoir and short fiction - are to read one page, and one page only of their piece. As winner, I go last. Some pieces are familiar – I remember them from when I read the proofs. They are varied and superb, and, ninety minutes later when it’s finally my turn, I have become very nervous. Everyone is so talented. My writing is no better than theirs. I was lucky the judge plumped for mine. They’ve largely funded their own trips, and mine is largely paid for (well, it will be, if and when I get my cheque!).

Some authors have just launched straight into their writing; some have explained and justified it; more frequently they have handed out bountiful thanks. They’re getting fidgety and they want to get to the bar by the time it’s my turn. I walk to the front aware I am shaking, and that my voice will wobble. I need to control myself. I pull an ex-teacher joke out of my foggy brain: ‘As a retired teacher, I can’t tell you how excited I am to be reading to a room of grown-ups who aren’t going to need the loo in the middle,’ and it gets a laugh and some friendly heckles. I laugh too. It’ll be OK. Now I can relax – I think this is the precise moment when the photo is taken, and I am smiling, thank goodness – and I read my page from Clippings, from the start, no explanations, no thanks (I did that when I found out I won), just straight into it. The applause at the end is far warmer.

After, that we mill around for a group photo and chat, and this time, I can match faces to stories. We chat longer in the bar. They are a fantastic group. I meet the radio-play writer who was shortlisted for flash fiction, the short-story writer who came second in the memoir, the guy who’d never written before, the accomplished writer who had two pieces in the top ten (and has been previously published by Fish). Some comment intelligently about my piece; some vow to go off and read it. This is a prize for ‘emerging writers’ but we’re none of us spring chickens! We connect on social media, such is the way of the world.

The next day, Marcus and I head North up the Wild Atlantic Way to the beautiful Dingle peninsula – County Kerry proper, and holiday proper – before two nights in fascinating Cork city. I read the Anthology at every opportunity and now it means so much more. I exchange messages with other writers and receive and send unsolicited messages of praise. I have had a fantastic time, and truly have had the luck of the Irish. Thank you, Tilly Emmerson and Fish Publishing!



Copies of the Fish Anthology 2018 will soon be available at the Wivenhoe Bookshop, and direct from fishpublishing.com.  The anthology is the 'culmination of a year's work, trawling through thousands of submissions to the Fish Short Story, Short Memoir, Flash Fiction and Poetry Prizes. The judges were Billy O'Callaghan, Marti Leimback, Sherrie Flick and Ellen Bass respectively.'


Saturday, 17 March 2018

Fish short-story prize-winner- Helen Chambers of Wivenhoe Writers!



I want to scream this from the rooftops: I’ve won the FishShort Story Prize for 2017/18 and this exciting, overwhelming, wonderful news has had to remain below the radar for nearly three weeks. I’m just about bursting!

The email, when it arrived (I’d submitted the previous November and, as advised, forgotten about it), was so unexpected and such a surprise, that I asked Marcus, my long-suffering husband, to check I’d understood it correctly. He agreed with me – I’d won! This means that it’ll be published in their 2018 anthology, that I’ll hopefully get to visit the West Cork Literary Festival in July and meet some of the other shortlisted writers and hear their work, but also so much more than that. I’m aware that it’s a prestigious competition and it’s going to make my writing CV look so much more impressive!

I’ve been walking around in a daze since then. I’m truly delighted. It’s a huge boost to my confidence, which, as a writer (I can definitely say I am a writer now!) tends to fluctuate wildly. Writing can be a lonely activity, so feedback – from friends, other writers and especially competition judges, is always welcome and helpful. I’m glad that judge Billy O’Callaghan liked my story ‘Clippings’ as I’m aware that a preference for one shortlisted story over another can be rather subjective. I’m especially fond of my protagonist, Tilly, as I’ve spent so much time with her, and I’m sure she’d be pleased for me.

The judge said:
'Clippings – Just exceptional. I was a bit sceptical at first of the structure, but the story unfurls wonderfully. Incredibly emotional, truthful and heartfelt. Beautifully drawn characters. I read this several times over the past two weeks and as I sit here now, I want to read it again. It’s a story that has left a deep impression on me.'

It’s boosted my enthusiasm too – to revisit a novel I’d put on hold, to carve out proper writing time for myself instead of letting it drop down the priority list, and most importantly, to keep writing. Don’t any of you ever give up – you never know what’s round the corner! Many thanks to friends, family and writing friends for their support and encouragement, and most especially to The Wivenhoe Writers, who all know Tilly too.

Thursday, 27 October 2016

A Sense of Place 4 - 'Nets' by Philippa Hawley





Travel writing can be a short diversion or part of a long journey. The resulting pieces can be short or extended, resembling either flash fiction or a longer short story. Travelling may give rise to an article or even result in a book.
    For example, Bill Bryson, well known for his ‘Notes from a Small Island’, started off as a newspaper column writer, before writing ‘A Walk in the Woods’. This was about walking the Appalachian Trail with his friend and was, in 2015, made into a film. Another who used travel for inspiration was Chris Stewart, with ‘Driving over Lemons’, descibed as an optimist in Andalucia.
    As a student, one of the first travel writing books I became aware of was Eric Newby’s ‘A Short Walk in the Hindu Kush’. Written in 1958 this adventure, told with British humour, captured many a young person’s imagination over the following decades.
    Sometimes however our aims are less ambitious. It’s great to record our travels, and maybe use a diary to detail the sequence of events. Alongside that, it can be interesting to focus in on one small thing – a meal, a sight, or a character you met. This might ‘show’ the feelings you experienced while away from home, rather than ‘telling’ the reader every step you took. It might also keep your memories alive.
    This is the approach I took in entering a recent travel competition, which asked for a 50-100 word travel highlight. My 94 word piece called ‘Nets’ can be seen here. Re-reading it, I am immediately taken back to the beautiful Monte Isola, on Lake Iseo in Northern Italy. Have a look at the published story:


http://www.fd81.net/freds-blog/nets-by-philippa-hawley

Monday, 25 July 2016

The Final Test - a post-Brexit story

I'm still suffering from post-Brexit blues. Writing this story helped a bit!



The Final Test by Clare Hawkins

Henry was sure that he wasn’t being followed, but he was still sweating with fear. He’d never been to this part of town before. He turned into the lane he’d been told about and scurried down it: a tunnel between the brick walls of terraced houses, giving way to broken fences then a line of lockups. Some of the garage doors were metal up-and-overs and others were scarred wooden ones, barred and padlocked. He stopped, glancing once more behind him, just in case, then looked for the green doors. There they were, only a few yards further on.
            There was no going back. This place offered him his only hope. He advanced to the doors, nudging the one on the right, which opened a crack into darkness. What was that? A shout? Someone in the lane? In one quick move, he slid in, pulling the door shut behind him.
            Inside smelt of limey earth and urine. Henry stood, shivering as the sweat cooled on his skin, his eyes adjusting to the dark. In front of him was a wall of cardboard boxes, stacked high, spewing out what looked like household junk: the tube of a vacuum cleaner hung down like a snake and a child’s broken bicycle veered over a roll of carpet. Along to his right, at the far end, he noted a glow of light and moved towards it, to discover a small gap in the barrier of boxes. Squeezing through this, he came up against the side of a sort of wooden shack, a decapitated garden shed, its window the source of the light. From inside came the low drone of a voice.
            Henry let out his breath from a knot in his chest and tapped on the side of the shack.
            ‘Yes?’
            ‘Nemo,’ Henry whispered.
            ‘Come in.’
            When Henry pulled open the plywood door, four faces stared back at him. Two men and two women, were jammed together in a tight circle on plastic garden chairs round an upturned bin with a candle on it. Their eyes were dark and sunken. Each clutched a sheaf of papers.
            ‘I’m afraid there are no more seats,’ said a bald man with a lined brow, the tutor, Henry assumed.
            His voice was soft, educated, and he gestured to the only piece of bare floor space at his feet.
            Henry nodded. ‘Sorry I’m ‒.’
            ‘That’s all right,’ said the man, handing him some tattered photocopied papers. ‘We’ve only just started.’
            Henry crouched down in the space.
            He glanced up at the others, comforted a little by their strained faces, their shared tension. The other man was young with tousled hair, one woman was middle-aged, white-faced and dowdy-looking, while the other was younger with glasses.
            The tutor spoke in a clear whisper. ‘The questions never stay the same. However, these old test papers will give you an idea of the range of topics. I have a list of others as well.’
            ‘But I’ve heard they’ve got new tests, not just paper ones,’ said the middle-aged woman, in a quivering, slightly accented voice. It was the vowels that betrayed her.
            ‘Yes,’ said the man, ‘SSDs.’
            ‘What?’ the woman said.
            ‘Subliminal sensory detection systems. I’m afraid I can’t help you with that kind of thing. Sorry.’
‘But if we pass the exam,’ said the woman with the glasses, ‘surely they won’t ‒’
            The tutor shook his head. ‘No guarantee. Come on, let’s get started. Now, don’t take notes.’ He tapped his temple with a finger. ‘It’s all got to go in here.’
            Henry looked down at the front page of the first paper.

EIP Test Paper 1                    Time Allowed: 20 minutes

NOTE: ALL QUESTIONS MUST BE ANSWERED.  Failure to provide an answer to any question will result in a zero score and automatic referral to the exit unit.

SECTION A – Cultural Affiliations

Part 1:  Cooking and Eating

  1. Describe the origins and ingredients of the following items:
(a)   barmcake
(b)   rock bun
(c)    lardy cake
(d)   bannock

  1. Which of the following dishes would you serve when entertaining friends?
(a)   Lancashire Hotpot
(b)   Fidget Pie
(c)    Cullen Skink
(d)   Urney Pudding
(e)    Flead Cakes

Henry suddenly felt sick and let out an involuntary gasp. The middle-aged woman started crying.
            ‘I can’t. It’s no good,’ she squeaked. ‘How can we prepare for a test like this?’
            ‘Sssh,’ whispered the tutor sharply. ‘I know it’s difficult, but I’ll help you. You must be quiet though. You know what will happen if they find us.’
            The woman sniffed and pulled a tissue from her sleeve, holding it to her nose.
            ‘Right,’ said the tutor. ‘Let’s go slowly. Bannock that’s the one to watch. If you know the answer to anything with Scottish associations, you must never let it show. Sometimes it’s knowledge that’ll give you away. Sometimes however, it’s a matter of discriminating the Scottish item from the others.’
            ‘But that’s trickery,’ sniffed the middle-aged woman. ‘They said the tests would be fair.’
            The tutor looked down at the test paper and muttered. ‘And you believed them?’
            In the moment of silence that followed, Henry felt his dismay weighing like a heavy stone in his stomach.
            The tutor looked up at the woman. ‘You’ll have to work on that accent. Have you got copies of the RP recordings to practise?’
            She nodded, stifling another sob with the lump of tissue.
            Henry felt his armpits prickle with sweat again.
‘Has anyone ever passed this test?’ he said.
‘Yes, I did,’ the tutor sighed, glancing at them apologetically. ‘But look, if you’re completely thorough with your own purging, it’s just possible that you might escape the test.’
‘Didn’t help my friend,’ said the young man with tousled hair. ‘We had a de-contamination day at work and he was picked up.’
            Henry’s throat tightened. This had started him thinking about Colin again and how his attempts to purge his home and family had failed. He could still hear Colin’s wife screaming, as the Specials had pushed her and the children into the armoured van. Colin had stood in their living room, bleeding from the head and in handcuffs, the result of his futile attempts to resist. Henry had stayed silent in the background, amazed that they hadn’t arrested him too, for fraternisation. How could Colin and Marion have missed the thing? They had meticulously scoured their house and destroyed all incriminating evidence: tea towels from Oban and Skye, a shortbread tin used for storing buttons and a tartan rug lining the dog’s basket. Henry had driven with Colin to a river fifty miles away one night at three in the morning. They had watched the black, weighted shape of the dustbin bag sink into the water as they stood on the bank. That terrible day, the Specials’ officer had mockingly waved an audio cassette in front of Colin’s face, Kenneth McKellar’s Songs of Scotland. The Specials had found it propping up a broken bookcase in his daughter’s bedroom.
Henry sometimes wished he’d gone with the first wave north, the voluntary emigrants, but he was terrified of being herded into a hostile environment as an alien, jobless and penniless to a future in some transit or refugee camp. Scotland, plunged into economic recession, was heaving with resentment at the financial burden of those first expulsions. The English government refused to pay any compensation to those they had driven from their homes and their jobs. Also, the weather in Scotland was awful. Henry would never forget one childhood holiday: two weeks in a sodden tent near Loch Lomond and his skin itching with midges when the rain finally stopped.
            ‘Right,’ said the tutor, finishing his last recitation of the ingredients of lardy cake, which Henry had only half heard.
‘Here’s a really important section. You’ve got to give evidence that you’ve upheld the key principles of Englishness.’
            Henry gulped and thought hard. He could only identify two examples of actions that might qualify: he’d sold a few raffle tickets for his local cricket club and, ten years ago, had attended the first part of a hanky dancing workshop led the Colchester Morris Men. The others were struggling for examples too. Fortunately, the tutor was able to supply them with a number of untraceable fabrications, such as commissioning a portrait of Nick Griffin, which had sadly been lost in a fire, or scrubbing graffiti and offensive slogans like ‘Freedom and respect for all!’ from walls and hoardings.
            The session lasted for four hours. Henry’s head ached and his throat was parched. By now, however, it would be dark and easier to get home unnoticed. The only risk was encountering one of the vigilante gangs that roamed about with torches and clubs looking for people with red hair or anybody engaged in anti-government activity.
            The tutor’s head was bowing with weariness as he bade them goodbye until next week, exhorting them to keep rehearsing the material about cooking, sport and music that they had learned that evening.
            ‘Be hopeful. Keep strong,’ he said.
            They crept out of the shed, around the wall of boxes. Henry, the last in line, found himself standing next to the crumple-haired young man outside the doors. The women had already disappeared.
            ‘Fancy a drink?’ said the young man.
            Henry, startled by the overture, stuttered, ‘Is there anywhere safe?’
            ‘Yeah, I know somewhere. I know the landlord. It’s a bit of a way, but I’ll die if I don’t have a beer.’
            ‘Which way?’ said Henry.
            He followed the young man, who charged off down the lane and through a network of streets for more than half an hour. Henry didn’t see the pub sign until he was standing beneath it. The Bulldog, the image of a squat, bandy-legged creature with a squashed grinning face made Henry’s shivers return, even though he was hot with hurrying.
            ‘Hey, is this OK?’ he panted.
            The young man turned to Henry and grinned. ‘Best place to hide, in the heart of English Identity country, isn’t it?’
            There was a logic to that, Henry supposed. What kind of person with any vestige of Scottishness would go into a place like this?
            It was nearly empty apart from two miserable looking old men, humped over their beers in the far corner. Henry’s companion walked confidently up to the bar, where the landlord was standing smoking. Henry tried not to cough, as he’d still not got used to smoke indoors since the repeal of the anti-smoking laws in memory of the late founder of the Party, Nigel Farage.
            Henry followed the young man, clutching his glass of warm cloudy stuff which was the only ale available these days. For some time, tantalising memories of drinking chilled Belgian lager had featured in Henry’s dreams. The young man sat down in a dark, empty corner.
            ‘I’m Josh,’ he said, offering his hand.
            Henry took it, feeling his shoulders loosen and his breath calming a little. ‘Henry,’ he said.
            ‘What’s your status then?’ said Josh.
            ‘One parent,’ said Henry, ‘my mother. She died two years ago.’
            Josh took another drink and grimaced. ‘That’s close. I only had my grandad, poor old sod. He’d turn in his grave.’
            ‘Yeah,’ said Henry, ‘Thank God my mother never saw the state we’re in. She knew things were going to get difficult. The party got in the year before she died, so she started clearing things out, burning books and stuff.’
            It was good to be talking so freely. Even though this Josh could easily be a spy, there was nothing Henry could do now to resist the effects of the beer and a sympathetic companion. He told Josh about how he’d built a bonfire in the garden one night, with his mother handing him her leather-bound school prizes: A Scots Quair, The Collected Works of Robert Burns, Scottish Philosophers who shaped the World. She’d cried and he’d offered to bury them instead, but she’d insisted and thrown them into the fire herself.
            Josh grimaced in sympathy. ‘Well, I’m not hanging about here waiting for these bloody tests. Even if you did know all the names of the winners of the Gloucestershire cheese rolling competition since 1949, they’d still find a way of getting you.’
            Henry gulped another mouthful of beer. ‘How are you going to get out?’ he said.
            ‘There’s a bloke with a boat at Brightlingsea. You want to come?’
            ‘Where? Everything’s blockaded.’
            ‘Well, I’m going to take my chances,’ said Josh. ‘He can get you to France for two grand.’
            Henry’s stomach started churning again. He needed to go to the lavatory.
            ‘I don’t know. It’s risky,’ he said, squirming in his seat, the sweat breaking out on his face again.
            Every day on Ingerland 4TV they showed footage of boatloads of escapees sinking in the English Channel.
            ‘Think about it,’ said Josh. ‘Want another pint?’
Much later, well after midnight, Henry fell into bed. He lay in his clothes, alternating between hot and cold as he agonised about whether to take up Josh’s offer. He was dozing when he heard the crack of splintering wood as his front door was broken down.

At first Henry thought he was at the dentist’s. He was in a chair, with a thin man in a suit at his side.
‘Your attempts at deception have been a little unimaginative to say the least’, the man said, glancing at a clipboard he was holding. ‘Changing your name from “Hamish” to “Henry”. You must think we’re very stupid. And then there was the attempt to alter your mother’s birth certificate. You know you have no claims to purity status. There’s nothing pure about this type of fraud.’
Henry, numb with exhaustion, resorted to his well rehearsed speech, which he delivered in a monotone, his eyes on the floor. ‘I’m a marginal category, limited blood affiliation and total cultural assimilation. I have a right to claim full English citizenship.’
      ‘Oh you do, do you?’ said the man, narrowing his eyes.
      ‘Yes,’ said Henry, ‘I am English in mind, soul and spirit. I have no allegiance to beliefs, cultural practices, values or tastes associated with Scotland, nor ever have.’
      ‘Then you won’t have anything to fear from the final test, will you?’
      They peeled off his shirt to apply the electrodes to his chest, and more to his temples, forehead and neck and he was swung suddenly backwards in the chair till his face pointed up to the ceiling. Some earphones were rammed into his ears and then a greasy faced man in a white coat stared down at him for a moment or two. ‘This is the easy bit. Just lie back and think of England,’ he snorted, tapping a dial by Henry’s ear.
Henry heard the sound of some switches being flicked. He was too tired for terror, particularly as there was no sign of the expected pain or tingling. Perhaps it was just a lie detector test after all. Nothing happened.
His next conscious sensation was of an internal pulsing, and a stirring in his brain, in time to a romping tune, a resonant regular thrum of a guitar backing and rich-voiced, bouncing accordion. He was transported back to the carpeted living room and himself as a small child, a sideboard full of rattling silver plates on a tartan tray and the smiling face of his mother as she twirled him round and round in furious pleasure, the old record player vibrating with the same irresistible beat of a reel that set his blood dancing.
‘Got you!’ said the man, leaning over him and pointing at the dial. ‘No need for these now, sunshine’, he said, ripping the pads from Henry’s head. ‘Have a nice trip!’

Hours later, Henry was wedged against a steamy window on the bus, packed with bodies and lurching through the darkening afternoon. The night was completely black by the time they crossed the border.

           



Saturday, 23 April 2016

The Short Story -the knottiest form? By Clare Hawkins


Personal circumstance are, for the moment, preventing me from finding the substantial chunks of time I need to work on my novel. I should perhaps be enjoying this fallow period, but it makes me nervous that I will never be able to write again. To allay these fears, I signed up for a Short Fiction Masterclass, offered by the Short Fiction Journal: http://www.shortfictionjournal.co.uk/ .It is a 5 week, moderately priced course, which suggests that participants will produce something publishable by the end!
            I have written quite a number of short stories over the years, with absolutely no success in competitions, nor publication in magazines or other outlets. Now, only one week into this course, I am beginning to realise two things, firstly the basic flaws in my previous attempts (too verbose, too full of plot, predictable situations and characters), secondly how useful it is to be shaken out of sloppy reading and writing habits. As a reader I have sometimes been left disappointed by short stories, almost certainly because I have not read actively enough and have missed the subtleties. As the introduction to the course states:
            ‘(The short story) may appear mundane, but never is. It absolutely must leave space for the reader to occupy, for them to become active participants rather than passive observers……Every word must bear the weight of the story, every sentence should be scrutinised by a hanging judge.’
The course offers six exercises, some to stimulate story ideas, others to sharpen close reading and critical analysis through examining extracts or complete short stories by published writers. I have done several writing courses over the years and find the systematic approach, the time constraint, the challenge of the exercises difficult, but motivating and productive. I only hope I’ll have time to do justice to the course and achieve something more successful in this genre than I have in the past !